Page | 1-5 | 6-10 | 11-15 | 16-20 | 21-25 | 26-30 | 31-35 | 36-40 | 41-45 | 46-50 |
| D.N. MACKENZIE, A Standard Pashto |
|
|
| H. PENZL., Western Loan Words in Pashto |
| One of the most interesting lexical problems in the modern languages of Asia is the influence of western culture and modern technology on the vocabulary. Pashto is the language spoken mostly in the east, south, and southwest of Afghanistan, the northwest of West Pakistan and in the border area between the two countries; it is beside Persian the official language of Afghanistan, but only a regional language in Pakistan, which favors Urdu. A major part of the learned and scientific vocabulary of Pashto has been derived from the Persian-Arabic tradition, and the number and status of these loans troubled lexicographers in the past. This study will deal with the loanwords from English, French, and German found in the modern literary language and in the educated speech of Afghanistan. |
| H. MAHMOOD., Deforestation in NWFP |
|
|
| V. MINORSKY., The Khalaj West of the Oxus |
Muslim
authors agree that the Khalaj are one of the earliest tribes to have
crossed the Oxus. In addition to I. Khurdadhbih whom we have quoted
above, Istakhri (circa AD 930) says: "The Khalaj are a class of Turks
who in the days of the old (fi qadim al-ayyam) came to the country
stretching between India and the districts of Sijistan, behind Ghur. |
| P. G. KREYENBROEK., Folk Poetry in Iranian Languages |
The
term 'folk poetry' can be properly used for texts which have some
characteristics marking them as poetry and belong to the tradition of
the common people, as against the dominant 'polite' literary culture of
the area. Given the breadth of this definition no comprehensive,
detailed study of all folk poetry in Iranian languages is possible. All
that our present state of knowledge allows is a general survey of
characteristic aspects of the most important types and genres of folk
poetry in Iranian languages. Little is known about pre-Islamic Iranian
folk poetry. This article will therefore focus on those modern
traditions which have been most fully described, i.e., on Persian,
Tajiki, Kurdish, Pashto, and Baluchi folk poetry, with some reference to
Ossetic. |